Cannibal Corpse Full Discography Torrent

| 08-04-2021
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File Name:[Req] Cannibal Corpse - Studio Discography (320k)
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What more can be said, in this Year Of The Corpse 2009, that hasn’t already been whispered, grunted or screamed about the almighty Cannibal? They’ve smashed—nay, hammer smashed—every boundary set before them, defied every censor set upon them, and besmirched every country that would have them. After two decades of unending death metal torment, the band’s calling cards are many: the depraved lyrics, the blinding technical prowess, the dominating stage presence, the legions of dedicated fans, the million and a half albums sold. From their bloody Caesarian inception in 1988 and debut splatterfest Eaten Back To Life (1990), Cannibal Corpse have mangled the minds and stereo systems of death metal youth from Buffalo to Sydney to Tokyo to Tampa while playing a crucial role in inspiring a new wave of musicians like the Black Dahlia Murder and Cattle Decapitation.
In the far-flung death metal universe, the name Cannibal Corpse has achieved godfather status—not only for the band’s morbid musical legacy but because of their commitment to the scene as a whole. “Part of the reason we may have ended up in a leadership position in the scene is because we’ve been consistent,” bassist Alex Webster offers. “We’ve tried to stay 100% death metal in the kind of music we make, and we’ve always tried to take younger death metal bands on tour to help give back to the scene we’ve been so lucky with. So if we’ve become godfathers of death metal in any way, it’s because we care about the scene, and we’ve been consistently caring about it for our entire career.”
Indeed, the list of crucial Corpse slabs rolls off the tongue like something mangled and abscessed, but still vicious: 1992’s Tomb Of The Mutilated, 1994’s The Bleeding, 1996’s Vile—the album that marked the band’s new era under the gruesome vocal reign of George “Corpsegrinder” Fisher—1998’s Gallery Of Suicide and 2006’s brutally effective Kill. The band’s mainstream breaches over those years are well-documented: the infamous appearance in Ace Ventura: Pet Detective; a cameo in the World Of Warcraft computer games (the series recently introduced a character named “Gorge the Corpsegrinder”); a sadistic live performance at the birthday party of Elijah Blue, the musical progeny of Gregg Allman and Cher. In recent years, Cannibal’s influence has spawned new levels of genuflection from underground acts like Cannabis Corpse, who bow in deference to the masters—and the leaf—with albums entitled Blunted At Birth and Tube Of The Resinated. There are even a couple of dudes in Detroit who call themselves Acoustic Corpse and do unplugged versions of Cannibal classics like “Fucked With A Knife,” “Dismembered And Molested” and “I Cum Blood.”
The band themselves, however, just keep on killing. Having hacked and flayed their way through hordes of flesh-eating carcass fuckers, blood-slicked suicide galleries and compulsive disembowelers, the mighty Corpse have seen fit to expand their killing field for a bit of the old mass extermination. Witness their eleventh studio album, Evisceration Plague, wherein the band mushroom-clouds their own homicidal visions to pandemic proportions. Deep, festering cuts like “Scalding Hail,” “Carnivorous Swarm” and the title track see an ossified populous summarily decimated by wholly unnatural disasters conceived in the unkempt minds of co-lyricists and original members Webster and Paul Mazurkiewicz (drums). “We wanted death on an epic scale, as opposed to the individual, murderer-stalking-his-prey stuff we’ve done in the past—although the album still has a few of those songs,” Webster explains with a laugh. “It’s not War And Peace or anything—it’s a gore story—but the body count is higher than ever before.”
Aided and abetted by guitarists Rob Barrett and Pat O’Brien—not to mention the unmistakable throat of Mr. Fisher—Webster and Mazurkiewicz dismembered and reassembled their latest monstrosity at Mana Recording Studios in St. Petersburg, Florida, under the expert eye of Hate Eternal mastermind Erik Rutan. “I think it’s the tightest and most musically competent record we’ve ever done,” Webster says. “Not that the other ones weren’t competent, but it would be hard to find flaw with the execution of this one—the performances are rock solid. Musically, the goal was to make cool, catchy songs that are just as brutal and heavy as any of the older, more obscure stuff we’ve done. Our mission is to be a brutal death metal band, and if we get there by writing a technical song or a catchy groove song, that’s fine, as long as it’s brutal death metal at the end of the day.”

All Albums in 320 kbps:
1990 - Eaten Back to Life
1991 - Butchered At Birth
1992 - Tomb Of The Mutilated
1993 - Hammer Smashed Face
1994 - The Bleeding
1996 - Vile
1998 - Gallery of Suicide
1999 - Bloodthirst
2000 - Live Cannibalism
2002 - Gore Obsessed
2002 - Worm Infested
2004 - The Wretched Spawn
2006 - Kill
2009 - Evisceration Plague

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Requested by: poida
Genre:Death
Subgenre:Death Metal
Bitrate:320 k
Size:1.22 GB
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Added:22/03/2009
Peer(s): Seed(s): 3, Leecher(s): 0 = 3 Peer(s)
Last Seed Update12/12/2020 10:43:58

Uploaded, Size 364.56 MiB, ULed by Anonymous: 0: Cannibal Corpse - Red Before Black (2017) MP3 320kbps. Uploaded, Size 111.12 MiB, ULed by MusicalWorld: 1. Cannibal Corpse album 'Red Before Black' available now. Only One Will Die (00:00) 02. Red Before Black. Cannibal Corpse have accumulated an enormous following since their inception and are officially the top-selling death metal artists of all time in the US. The band have also been accused of 'undermining the national character of the United States' and seen their albums and indeed, themselves, banned in several countries. Cannibal Corpse - Discography (1990-2014) Country: USA Genre: Death Metal Quality: Mp3, CBR 320 kbps (CD Rip+Scans) Eaten Back To Life (1990) (Remastered) Butchered At Birth (1991). Cannibal Corpse - DISCOGRAFIA - Cannibal Corpse - Demo (1989) 01 - Skull Full Of Maggots 02 - The Undead Will Fea.

Biography

Cannibal Corpse are arguably the most prominent and commercially successful brutal death metal band. It was formed in Buffalo in 1998 on the ashes of the local extreme groups Tyrant Sin, and Beyond Death. The beginning lineup included Chris Barnes, Alex Webster, Jack Owen, Bob Rusay and Paul Mazurkievicz. One demo was enough for these experienced and skilled musicians and vocalist with an inhuman singing manner to seal cooperation with the big label Metal Blade Records. The group worked hard on the material for their debut album. Eaten Back To Life, released in 1990, marked the emergence of a new extreme music monster, Cannibal Corpse. This release was a symbol of the band’s radical approach as it featured aggressive and incredibly heavy guitars and Barnes’s beast-like roaring with his own sadistic lyrics about the most abhorrent and obscene one could ever imagine. The colorful artwork perfectly depicted what kind of stuff you could hear. The musicians followed exactly the same way doing the next album. The only difference between the first effort and the follow-up Butchered At Birth was that the latter demonstrated the obvious improved musical skills of the performers.

Playing within the precise limitations of the genre, where there was no much space for experiments, Cannibal Corpse avoided self-copying. Tomb Of The Mutilated (1993) appeared a beautiful ending of the first stage in the band’s history. It united the best features of the two previous works, yet its music was more melodic and proficient. That was the time when Cannibals first faced the censorship troubles. Some of the European countries banned their performances while the albums were released in two versions, with an original, traditionally brutal artwork, or with an alternative cover. At that moment, Rob Barrett replaced Bob Rusay to take on the bass guitar. Shortly after, the renewed Cannibal Corpse gave their first concert in Russia. 1994 saw them release the new album, The Bleeding. This effort clearly showed the team’s quest for new ideas and solutions with the focus shifted from the heaviness and aggressiveness to the musical components.

Right at the moment of glory, when Cannibal Corpse were featured on the magazine covers, invited to the biggest metal festivals and shot in the well know comedy Ace Ventura, Chris Barnes quit the group. He did not like it when the other members expressed their dissatisfaction with a new portion of lyrics. The mike went to another famed extreme scene singer, George Fisher. Barnes was a living god to the band’s supporters who did not acknowledge his replacement for a long time. This affected significantly the sales of the fresh album Vile (1996). Musically, this was a reconstruction of the group’s old style. The preparation of the next log player involved a new member, Pat O’Brien. Called Gallery of Suicide, the album saw light in 1998 and opened a new part in the life of Cannibal Corpse.

From then on, Cannibal Corpse has released a number of CDs, distributed well enough thank to the logo of the band on their covers, the content being less important. The Americans could no longer surprise the audience with new music ideas as they had squeezed all they could out of the conservative and doomed to death genre. They remained excellent musicians, yet whatever they released later was close to what they played a decade before. At the turn of the century, Cannibal Corpse reached the status of the style veterans and masters who would always be granted with an overcrowded concert. At the same time, listeners never thought twice to pay for anything new their favorite band would offer. Apparently, the last-to-date studio work by Cannibal Corpse, Evisceration Plaque, released early in 2009, will definitely find its consumers.

Studio Albums

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