Contents. Piece All About LiIy Chou-Chou comes after two males, Shūsuke Hoshino and Conūichi Hasumi, from the start of junior middle college when they very first fulfill, and into 2nd quality. The movie offers a discontinuous story, beginning midway through the story, simply after the second phrase of junior high college begins, then flashes back again to the 1st expression and summer months vacation, and after that skips back again to the current. In elementary college, Hoshino has been one of the best students in college, but was selected on by his class mates.
- 2001 Alan Silvestri - Cast Away Music From the Original Motion Picture Soundtrack.rar. 2001 Alan Silvestri - The Mummy Returns (440 013 983-2).rar. All About Lily Chou Chou. 2001 All About Lily Chou-Chou - Original Soundtracks 'Arabesque'.rar. 2001 Hans Zimmer & Klaus Badelt - Invincible (198 726-2).rar. 2001 Hans Zimmer - Black Hawk Down (017.
- JF OSTAll About Lily Chou Chou ArabesqueAPE2001. Here you can download all about lily chou chou ost Shared files found Uploaded on TraDownload and all major free file sharing websites like 4shared.com, uploaded.to, mediafire.com and many others.
All About Lily Chou-Chou at the Internet Movie Database (Japanese). Oct 06, 2001 All About Lily Chou-Chou torrents - The problematic lives of teenager students for whom the singer Lily Chou-Chou's dreamy music is the only way to escape an alienating, violent and insensitive society. Sep 26, 2009 Today I’ll introduce the OST of my all time favorite movie, All About Lily Chou-Chou – written and directed by Iwai Shunji. The director himself and the film have already had their own popularity so I won’t say anything about them here except, this movie is the most important art piece that influenced me, the.
Hoshino and Hasumi satisfy and become friends when they sign up for the golf club, and Hoshino invites Hasumi to remain over at his house. Hoshino'h family is certainly rich in assessment to Hasumi's household. Hasumi errors Hoshino's appealing young mom for his sis. The kendo membership summer camp training will be tough, and Hoshino, Hásumi and some other first-grade males determine to take a trip to. Once there, Hoshino offers a traumatic and his character modifications from good-natured to dangerous and manipulative. Back at college in September for 2nd term, he takes his place as course bully and shows his increased power by destroying the existence of his class mates. An alternative voice, that of the character Sumika Kanzaki, features Hoshino't personality change to the failure of his family's business and his mother or father's divorce; this matches several moments connecting the decline of Hoshino - who provides acquired to modify his name - to separation and divorce.
Hasumi, the confused and timid former friend of Hoshino, discovers himself drawn into his now-tormentor't team. He can be ridiculed and coerced into doing Hoshino't dirty function, and discovers solace just in the ethereal music Lily Chou-Chou makes, and acting as web manager for his enthusiast website. Items become considerably worse for éveryone when Hasumi is usually designated to supervisory Shiori Tsuda, whom Hoshino provides blackmailed into, and another gal will be raped by Hoshino'beds lackeys after unwittingly annoying the school's gal gang. The entire quagmire arrives to a head when Hasumi mind to Tokyo to notice a Lily Chou-Chou show, where he incurs the last individual he believed would be presently there. The story of Hoshino and Hasumi can be paralleled by messages posted to a LiIy Chou-Chou information panel which are usually displayed on display. Until the conference at the show, it is left up to the viewers to determine out which characters in the tale are posting under what titles. Manufacturing On Apr 1, 2000, Shunji Iwai went live life with his internet book, in the form of a web site called Lilyholic, where he posted communications as several characters on the BBS.
This is the end credits (don't worry. No spoilers in it.) for All About Lily Chou-Chou, a film about a lonely teenage boy who escapes into the internet to connect with other people who are fans of the singer Lily Chou-Chou just like him. Ayumi Ito spent weeks training on the piano in order to do all of her scenes without a double. All About Lily Chou-Chou at the Internet Movie Database (Japanese).
Readers of the story were free to post alongside Iwai'h heroes and interact with each various other, indeed this BBS is usually where some of the content from the film arrives from. After the primary occurrence in the novel took location, posting had been shut and the second phase of the story began, about the life of 14-year-olds. (The story is available on, but just in Japanese.) Creation on the movie began in, on August 13, 2000 and ended on Nov 28, 2000. It premiered at the on Sept 7, 2001 and opened in on Oct 6, 2001. Iwai was the very first Japanese movie director to use the, at the period, completely new digital video camera, the to capture the film. It is definitely believed that Iwai was motivated to capture in electronic by his buddy, the and live-action movie movie director, who chance his own digital film entitled, in 1998. Anno later team Iwai as the prospect in his second live-action movie,.
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After the movie's launch a summary written from the stage of view of the major character Yūichi was published on the internet to explain the film's events. Songs The soundtrack óf Lily Chou-Chóu has been written and arranged by, with vocals by the singer. It features a number of tunes that are usually sung by the imaginary rock superstar Lily Chou-Chóu in the film.
The soundtrack furthermore makes weighty make use of of the traditional songs of. In 2010 and launched a brand-new track under the YouTube name 'LilyChouChou2000', suggesting that the LiIy Chou-Chou moniker was still alive. Solid. as Shūsuké Hoshino (星野修介 Hóshino Shūsuke), thé best student in college who, after a trip to Okinawa, will become a bully. Articles under the alias Glowing blue Cat (青猫 Ao Neko). as Yūichi Hasumi (蓮見雄一 Hasumi Conūichi), Hoshino's former buddy who gets a reluctant associate of his gang and will later on on end up being bullied by Hóshino.
Yūichi is definitely the leading character in the movie. He admins an on the internet Lily Chou-Chóu BBS under thé alias Philia (フィリア Firiá) and is usually a excellent lover of the vocalist. as Yōko Kuno (久野陽子 Kuno Conōko), a classmate of Conūichi's. A brilliant pianist, she can be the jealousy of a clique of effective ladies, and thus is furthermore bullied. She is definitely raped by Hoshino's i9000 bunch and slashes off her tresses as a method of avoiding Shiori Tsuda's i9000 destiny. as Shiori Tsudá (津田詩織 Tsuda Shiori), á classmate of Conūichi who will get blackmailed intó by Hóshino. Yūichi béfriends her later on, and introduces her to Lily't songs.
Near the finish of the movie she will take her lifetime. as Kamino, oné of the guys in the blue school uniforms at the teach train station when Kuno is certainly introduced.
All About Lily Chou Chou Ost Rarity
as Izumi Hóshino (星野いずみ Hoshino Izumi), Hóshino's mom. It is usually unfamiliar if she is one. She enjoys her kid very significantly and welcomes Yūichi with open up arms during a younger higher sleepover at the Hoshino household.
A classmate of Yūichi indicates that this is definitely done to make sure that Yūichi will enjoy becoming Hoshino's buddy. as Lily Chóu-Chou, the énigmatic and ethereal vocalist that Yūichi, Tsuda ánd others in thé movie are fans of.
She is usually hardly seen in the film, except on a movie display near the tale's end, but her music is noticed throughout the movie. She is said by her supporters to approach what is known as 'the ', which is certainly not unlike the invisible substance as soon as thought by historic philosophers to be the field that light travels through. This 'ether' can be noticed in the quiet, melancholy music she sings. ás Tabito Takao.
ás Shimabukuro Details. used the music 'Kaifuku Suru Kizu (Pains that heal)' fróm the Lily Chóu-Chou sóundtrack in, in thé scene where the Bride views 's sword collection. The idea of Lily Chóu-Chou the rock and roll star was inspired. More's at the show scene had been given an catalog card with extremely detailed info as to the idea process they should become going through during filming. There had been 100s of extra supplies, partly made up of enthusiasts of the internet book who experienced BBS meet ups during the day time. Paper prints from the BBS are visible in the history of this picture and can end up being noticed by watching for signs from their articles.
spent weeks training on the keyboard in order to do all of her scenes without a double. She grew to become so obsessed with 's ' that she produced it her cell cell phone ringtone. Originally, in the internet book, Yūichi and Hoshino belong to the group, not really the group. Debussy authored his famous Children's Corner Suite (1909) for his much loved child whom he nicknaméd Chouchou. The film's initial runtime had been 157 moments, but the first print out of the 157 moment version simply no longer is present because it has been burnt. The extra 11 minutes was composed of additional and intense video of the rape scene, a scene with Yūichi on the beach (similar to Hoshino't drowning scene) and an expanded funeral scene.
Awards and nominations. 2002 - Panorama.
2002 - Best Music and Special Jury Prize (Shunji Iwai) Box office totals. Spending budget:¥150, 000, 000 ($1,249,656) Local:. The art of war pdf. Japan: ¥3, 026, 188, 000 ($25,211,298). Starting Week Gross: ¥514, 775, 000 ($4,288,612). Time Released: October 6, 2001.
In release: 15.7 weeks International:. Us: $26,485 (¥3,179,328) Renting:. Japan: ¥810,340,000 ($6,750,436) References.
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EditSoundtrack Credits
Written by Sonny Bono
Performed by Nancy Sinatra
Courtesy of Boots Enterprises, Inc.
By Arrangement with Celebrity Licensing
Written by David Allen Young
Performed by David Allen Young
Written by Quincy Jones (as Quincy D. Jones)
Performed by Quincy Jones
Courtesy of A&M Records
Under license from Universal Music Enterprises
Written by Bernard Herrmann
Performed by Bernard Herrmann
Courtesy of Canal + Image UK, Ltd.
Written by Charlie Feathers
Performed by Charlie Feathers
Courtesy of Rockin' Ronny Weiser, Rollin' Rock Records, Las Vegas
Written by Isaac Hayes
Performed by Isaac Hayes
Courtesy of Stax Records / Fantasy, Inc.
Written by Franco Bixio, Fabio Frizzi & Vince Tempera
Performed by Vince Tempera & Orchestra
Courtesy of Bixio Music c/o IDM Music Ltd.-NYC
Written by Luis Bacalov
Performed by Luis Bacalov
Courtesy of EMI General Music Srl
Written by Armando Trovajoli
Performed by Armando Trovajoli
Courtesy of EMI General Music Srl
Written by Luis Bacalov
Performed by Luis Bacalov
Courtesy of EMI General Music Srl
Written by Takeshi Kobayashi
Performed by Salyu (as Lily Chou-Chou)
Courtesy of Oorong-Sha Co., Ltd.
Written by Luis Bacalov
Performed by Luis Bacalov
Courtesy of EMI General Music Srl
Written by Isaac Hayes
Performed by Isaac Hayes
Courtesy of Stax Records / Fantasy, Inc.
Written by Billy May
Performed by Al Hirt
Courtesy of The RCA Records Label, a unit of BMG
Under license from BMG Film and Television Music
Written by James Last
Performed by Gheorghe Zamfir
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises
Written by The 5.6.7.8's
Performed by The 5.6.7.8's
Written by Shun'ya Itô and Shun-suke Kikuchi
Performed by Meiko Kaji
Courtesy of Toei Music Publishing Co., Ltd.
Written by George Donald McGraw
Performed by The 5.6.7.8's
Courtesy of Time Bomb Records, Japan; Sympathy for the Record Industry, U.S.
aka 'Theme for Shin Jingi Naki Tatakai'
Written by Tomoyasu Hotei
Performed by Tomoyasu Hotei
Courtesy of IRc2 Corporation and Toshiba-EMI Ltd.
(c) 2000 by IRc2 Corporation
Administered by EMI Music Publishing
Written by Riziere Ortolani
Performed by Riz Ortolani
Courtesy of BMG Ricordi, S.P.A., Rome
Under license from BMG Film and Television Music
Written by Ike Turner
Performed by The 5.6.7.8's
Written by Klaus Dinger, Michael Rother
Performed by Neu! (as NEU!)
Courtesy of Grönland Records / Astralwerks
Under license from EMI Film and Television Music
Written by Ennio Morricone
Performed by Ennio Morricone
Courtesy of BMG Ricordi S.P.A.
Under license from BMG Film and Television Music
Written by Shunsuke Kikuchi
Courtesy of Toei Music Publishing Co., Ltd.
Written by Charles Bernstein
Performed by Charles Bernstein
Courtesy of Metro Goldwyn Mayer Music, Inc.
Written by Harry Betts
Performed by Harry Betts
Courtesy of Metro Goldwyn Mayer Music, Inc.
Written by Gloria Caldwell, Sol Marcus and Bennie Benjamin / Raymond Donnez, Nicolas Skorsky and Jean-Manuel de Scarano
Performed by Santa Esmeralda
Courtesy of Music Sales Corporation o/b/o Premiere Music Group / Universal Music S.A. Division Mercury (France)
Under license from Universal Music Enteprises
Written by Rudolph Isley, Ronald Isley and O'Kelly Isley
Performed by The Human Beinz
Courtesy of Capitol Records
Under license from EMI Film and Television Music
Written by Kazuo Koike, Masaaki Hirao, Koji Ryuzaki
Performed by Meiko Kaji
Courtesy of Teichiku Entertainment, Inc.
Written by Toshiaki Tsushima
Performed by Toshiaki Tsushima
Courtesy of Toei Music Publishing Co., Ltd.
Kill Bill Vol. 1 Original Soundtrack | ||||
---|---|---|---|---|
Soundtrack album to Kill Bill: Volume 1 by | ||||
Released | September 23, 2003 | |||
Genre | Soundtrack | |||
Length | 47:02 | |||
Label | A Band Apart, Maverick, Warner Bros. | |||
Producer | The RZA Quentin Tarantino Lawrence Bender | |||
Quentin Tarantino film soundtrack chronology | ||||
| ||||
RZA film soundtrack chronology | ||||
|
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
Allmusic | [1] |
IGN | (8.0/10)[2] |
Stylus | A−[3] |
Kill Bill Vol. 1 Original Soundtrack is the soundtrack to the first volume of the two-part Quentin Tarantino film Kill Bill. Released on September 23, 2003, it reached #45 on the Billboard 200 album chart and #1 on the soundtracks chart. It was organized, and mostly produced and orchestrated by RZA from the Wu-Tang Clan.
- 4See also
Soundtrack development[edit]
In a 2003 Interview, RZA spoke about the soundtrack's creation process:
- It was more of a collaboration. He had an idea and a vision when he wrote the script. I think I was more of somebody that kept it in the guidelines of what he wanted. He was like, here go the eggs, the milk, the cake, the sugar, everything, and I’m going to stir it up. Put this in the oven, watch it, take it out in forty-five minutes. Now, am I going to take it out in forty five minutes or am I going to fall asleep? I made sure it got out and if I saw something wrong with it, I fixed it. So when he saw it, he was like, this is cake. There was one situation where you see, 'Crane and White Lightning.' That’s part of the original score, so it’s not really a song. A lot of that stuff is what I use to keep the vibe going between songs.
- 'Crane and White Lightning' is a piece of music that Quentin wanted on the soundtrack, but was originally set for a Metallica track. There’s only one piece of music that I didn’t feel comfortable with when we were done. We lost a sample, I made one Hip Hop beat. I was like I gotta throw one in there. Quentin loved this beat. We rocked with it and it was one of the first things we did. I could've gotten away with it. It was a sample, but so undetectable. So unnoticeable. I wanted to take a chance, but in the movie business you can’t take those kind of chances. I wouldn’t risk nobody else. If it was my movie, I would have taken a chance. But this is Quentin Tarantino’s movie.[4]
Track listing[edit]
- 'Bang Bang (My Baby Shot Me Down)' by Nancy Sinatra – 2:40
- 'That Certain Female' by Charlie Feathers – 3:02
- 'The Grand Duel (Parte Prima)' by Luis Bacalov – 3:24
- 'Twisted Nerve' by Bernard Herrmann – 1:27
- 'Queen of the Crime Council' dialogue by Lucy Liu and Julie Dreyfus – 0:56
- 'Ode To Oren Ishii' by RZA – 2:05
- 'Run Fay Run' (from 'Three Tough Guys') by Isaac Hayes – 2:46
- 'Green Hornet' by Al Hirt – 2:18
- 'Battle Without Honor or Humanity' (from 'Another Battle') by Tomoyasu Hotei – 2:28
- 'Don't Let Me Be Misunderstood / Esmeralda Suite' by Santa Esmeralda featuring Leroy Gómez – 10:29
- 'Woo Hoo' by The 5.6.7.8's – 1:59
- 'Crane / White Lightning' by The RZA / Charles Bernstein – 1:37
- 'The Flower of Carnage' 修羅の花 (from 'Lady Snowblood') by Meiko Kaji – 3:52
- 'The Lonely Shepherd' by James Last & Gheorghe Zamfir – 4:20
- 'You're My Wicked Life' dialogue by David Carradine, Julie Dreyfus and Uma Thurman – 1:14
- 'Ironside' (excerpt) by Quincy Jones – 0:16
- 'Super 16' (excerpt) by Neu! – 1:06
- 'Yakuza Oren 1' by The RZA – 0:22
- 'Banister Fight' by The RZA – 0:21
- 'Flip Sting' (SFX) – 0:04
- 'Sword Swings' (SFX) – 0:05
- 'Axe Throws' (SFX) – 0:11
The last three are merely noises that occur as sound effects in the film. The vinyl record version includes only the first fifteen tracks.
Not included[edit]
Numerous tracks used in the film and to advertise it were not included in the soundtrack album:
- 'Seven Notes in Black' by Vince Tempera – From Sette note in nero ('Seven Notes in Black'; AKA The Psychic). Heard when The Bride awakens and fends off her would-be rapists; background music for the RZA's 'Ode to O-ren'
- 'Truck Turner Theme' by Isaac Hayes – heard, appropriately enough, when The Bride tracks down Buck's truck.
- 'Music Box Dancer' by Frank Mills - heard when the Bride pulls up to Vernita Green's house.
- 'A Long Day of Vengeance' by Armando Trovaioli – From I lunghi giorni della vendetta. Heard in the anime sequence after one of Boss Matsumoto's men murders O-Ren's father.
- 'Kaifuku Suru Kizu (The Wound That Heals)' by Lily Chou-Chou – From the film All About Lily Chou-Chou. Heard when The Bride marvels at Hattori Hanzo's sword collection.
- 'I'm Blue' and 'I Walk Like Jayne Mansfield' – additional songs performed by the 5.6.7.8's in the House of Blue Leaves.
- 'From Man to Man' from the Death Rides a Horse soundtrack by Ennio Morricone – heard in the House of Blue Leaves battle. Used prominently to advertise Kill Bill.
- 'Kenka Karate Kyokushin Ken Opening Theme' – heard in the house of Blue Leaves when the bride fights the boss of the crazy 88s.
- 'Nobody but Me' by The Human Beinz – heard in the House of Blue Leaves battle.
- 'Police Check Point' by Harry Betts (from the film Black Mama White Mama) – heard briefly in the House of Blue Leaves battle.
- 'Yagyu Conspiracy' by Toshiaki Tsushima (from Shogun's Samurai) – background music for 'You're My Wicked Life'
- 'Funky Fanfare' by Keith Mansfield – heard as the logo music for the Our Feature Presentation film snipe.
- 'I Giorni Dell'Ira' by Riz Ortolani (from Day of Anger) – heard when The Bride plucks an eye from one of the Crazy 88. This track would be later used in Django Unchained, where it was included in the soundtrack.
- 'Champions of Death' by Shunsuke Kikuchi (from Champion of Death) – heard in the House of Blue Leaves battle.
- Other brief clips are not included nor are credits as to who wrote or performed them available.
See also[edit]
Certifications[edit]
Region | Certification | Certified units/Sales |
---|---|---|
Australia (ARIA)[5] | Gold | 35,000^ |
Belgium (BEA)[6] | Gold | 25,000* |
Canada (Music Canada)[7] | Gold | 50,000^ |
France (SNEP)[8] | 2× Gold | 200,000* |
Switzerland (IFPI Switzerland)[9] | Gold | 20,000^ |
United Kingdom (BPI)[10] | Gold | 100,000^ |
United States (RIAA)[12] | Gold | 502,000[11] |
*sales figures based on certification alone |
References[edit]
- ^Thomas, Stephen (September 23, 2003). 'Allmusic review'. Allmusic.com. Retrieved August 13, 2012.
- ^D., Spence. 'Kill Bill Vol. 1 Original Soundtrack'. IGN. Retrieved July 26, 2010.
- ^Faust, Edwin. 'Various Artists: Kill Bill Vol. 1 Original Soundtrack'. Stylus Magazine. Archived from the original on February 5, 2010. Retrieved April 9, 2010.
- ^Sherron Shabazz. '2003/10 KILL BILL VOL 1: An Interview with RZA'. Wuforever.com. Retrieved August 13, 2012.
- ^'ARIA Charts – Accreditations – 2005 Albums'. Australian Recording Industry Association.
- ^'Ultratop − Goud en Platina – albums 2006'. Ultratop. Hung Medien.
- ^'Canadian album certifications – Var – Kill Bill vol 1'. Music Canada.
- ^'French album certifications – Var – Kill Bill vol 1' (in French). Syndicat National de l'Édition Phonographique.
- ^'The Official Swiss Charts and Music Community: Awards (Var; 'Kill Bill vol 1')'. IFPI Switzerland. Hung Medien.
- ^'British album certifications – Var – Kill Bill vol 1'. British Phonographic Industry.Select albums in the Format field.Select Gold in the Certification field.Type Kill Bill vol 1 in the 'Search BPI Awards' field and then press Enter.
- ^Donahue, Ann (September 5, 2009). 'The Billboard Q&A: Quentin'. Billboard. Retrieved June 2, 2018.
- ^'American album certifications – Soundtrack – Kill Bill Vol. 1'. Recording Industry Association of America.If necessary, click Advanced, then click Format, then select Album, then click SEARCH.